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You didn’t have a gun to your head.ĭANIEL: Why did I get a Masters in journalism? What’s the point of having a PhD in political science?ĪLISON: Is this what Gabe comes home to every night?ĭANIEL: They’re just making me jump through hoops watching the fucking Gilmore Girls sing about how tough upper-middle class life in Connecticut is while a bunch of idiot white dudes eat expensive food on the network’s dime to discuss how to overlook me? And what the hell kinda name is Lorelai anyway?
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And they’re making us see this popcorn shit? Fucking Gilmore Girls: The Musical? Is the world so bereft of new ideas-ĪLISON: Don’t act like you didn’t know what The Twist was gonna be. Everything they’ve asked me to do in the last three years. It goes like this:ĭANIEL: I do everything right. We see some purplish artwork for the show, which is basically just outlines of houses? And in keeping with The Morning Show tradition of having important conversations where anybody could hear and/or stream or tweet them, they chat. They’re discussing Daniel’s frustration with his position on the show as they wait in a bizarrely orderly line outside the Lyceum, a Broadway theater that was recently home to the musical Be More Chill and is currently hosting a new adaptation of A Christmas Carol, slated to open November 20. The in-world Gilmore Girls musical is introduced in The Morning Show’s pilot, when weekend anchors Daniel (Desean Terry) and Alison (Janina Gavankar) go to see the musical for “The Twist,” which I think is a recurring segment on the show? It’s never really explained.
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Why this show? Why include it at all? Is the fundamental misinterpretation of the series intentional? And most importantly, what would the Act One closer be?įirst, some basics. It’s bewildering on both a superficial level and a deeper one. Why?īut the biggest of The Morning Show’s mysteries is this: Why, of all things, did they decide to try to dunk on Gilmore Girls? The very weird Gilmore thing is kind of the ultimate Morning Show mystery.
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Why is it that Reese yelling at a guy about coal goes viral and Nestor’s meltdown doesn’t? Why would someone buy a cigarette from a cab driver for $20, expecting to be able to smoke that cigarette in the cab? Why does everyone have full-volume conversations about corporate machinations in public places? Why does Gugu Mbatha-Raw wear black pumps with cuffed boyfriend jeans in the office at, like, 10 p.m.? Who the hell Martin Short is supposed to be? And again, that wig. Other things I’m curious about: Marcia Gay Harden’s formal fauxhawk and what exactly her character’s job is at New York Magazine the age of Alex’s daughter and what the hell her deal is why they put that wig on Reese Witherspoon and why they named her character Bradley Jackson whether or not we’re supposed to think Billy Crudup’s character is a genius why Nestor Carbonell’s meteorologist helps Alex interview someone about the trauma caused by workplace harassment and why they don’t investigate his work relationships when he basically has an on-air anxiety attack about it. There’s a scene where Jennifer Aniston’s Alex Levy runs into a rival morning show anchor, played by Mindy Kaling, in a bathroom, and Mindy kind of pretends to wash her hands, without soap, and then takes a paper towel out of the bathroom with her? This is a very minor example, but it haunts me. That’s not all that’s bewildering about the series. But he still whines, “This is Weinstein’s fault!” Carell is a great actor who can bring a lot of nuance to Mitch’s outbursts and perceived victimization, but still there’s something unsettling about the direction the show seems to be going in here. “There’s nothing sexy about consent,” one of Mitch’s friends (Martin Short) says to him and Mitch is duly horrified. I honestly couldn’t tell if the show believes the way Mitch thinks is abhorrent or if it’s trying to spark some sort of conversation among viewers. Here’s how our own Amy Amantagelo put it in her excellent pre-air review:Įven if this is just the way one character thinks, where there’s some sort of sliding scale of sexual aggression and misconduct, it’s an unsettling hypothesis to put forward. This is a series that has Steve Carrell’s Mitch Kessler say (in perfect earnestness), “First they came for the rapists” to another man in the second episode, and the show has so muddied the waters when it comes to that character in particular that it’s unclear whether or not he’s joking. There’s a lot that’s confusing and contradictory about The Morning Show, the supremely watchable, often frustrating flagship series of Apple TV+.